As the title suggests Fatherland is more of a history of the Serbs and Croats, and of the author’s family than a memoir. The beautiful artwork in this graphic history is done in a photorealistic style that adds credence to her writing. She uses her writing to come to terms with her father’s shadowy, violent past, the national schisms that shaped him, and the scars that both fatherhood and fatherland leave on her family, and they are many. When she was just 2 years old, her mother, Sally, fled her father, taking Nina and her sister from their adopted home of Ontario, Canada, back to their grandparents in the former Yugoslavia. Sally Bunjevac was driven in part by Peter Bunjevac’s emotional abuse and alcoholism, but there was more: She’d become aware that he was involved in a Serbian nationalist terrorist group, one that was manufacturing bombs. Every night Sally barricaded the windows with tall furniture, afraid someone would throw a bomb in and blow them up in their beds.
Fatherland is a quick read. Recommended for anyone interested in the conflict in the former Yugoslavia.