THE HUNGRY GHOSTS

SHYAM SELVADURAI

“In Sri Lankan myth, a person is reborn a peréthaya [hungry ghost] because, during his human life, he desired too much” When his father died,six-year-old Shivan’s mother and sister moved with him into his maternal grandmother’s house. Daya was an angry and demanding woman who refused to talk to her daughter. Shivan, the grandson, became the golden boy, the reason she would take the family in. While he soaked up his grandmother’s recounting of ancient Buddhist tales about ghosts who haunt their future selves until past wrongs are redeemed, Shivan also chafed against her hold on him as he aged. He persuaded his mother to move the family to Canada, as much to get away from Daya as to flee the escalating conflict in Sri Lanka. Not that he could really escape—neither his grandmother nor his troubled country were anywhere near finished wreaking havoc in Shivan’s life. On an extended visit back to Sri Lanka, Shivan was taking over his grandmother real estate business until his grandmother had his lover killed.

Ghosts is a well written book. But when Shiven’s affair with Michael goes south I wanted to tell the young men to grow up. It could have used some paring down.

ALBERTO’S LOST BIRTHDAY

DIANA ROSIE

A little boy and his grandfather embark on a quest to find the old man’s missing birthday. As a child, Alberto lost his birthday in the Spanish civil war when he spent most of his childhood in an overcrowded orphanage. Now an old man living a simple life, he rarely thinks about his disappeared past. But when his grandson discovers his Apu has never had a birthday party, never blown out candles on a birthday cake, and never received a single card or present, he’s determined to do something about it. Since Alberto’s father is recovering from a horrible accident his mother gives permission for him to do a road trip with his Apu. As the two set off to find Alberto’s birthday, they have no idea it will be a journey that takes them through Spain’s troubled past, to places – and people – that Alberto once knew. But in a country that has vowed to move forward, looking back can be difficult. But finding old friends is its own reward.

Birthday is a heart-warming story all will enjoy.

THIRTEEN REASONS WHY

JAY ASHER

Having thoroughly enjoyed the show on TV I wanted to read the book and I wasn’t disappointed. In many ways the book is more coherent than the show which gets caught up in too many time changes and flashbacks. Hanna Baker is a high school student who commits suicide. She leaves behind thirteen cassette tapes, each directed at one person, each giving a reason she had for killing herself. She talks about the rumours and the betrayals she suffered at the hands of people she longed to call her friends. She mails the tapes to Tony who supervises that they get sent on to the next person. Each chaper of the book is the contents of the tape with minimal backup from Clay the boy who tried but failed to befriend her.

The book is as gripping as the tv show. Maybe more so.

SERIAL MONOGAMY

KATE TAYLOR

SM tells the stories of two relationships where the men fall out of monogamy with much younger accolades. The story is narrated by Sharon Soleymani, a writer of popular novels. She and her husband, Al, a professor who is a decade older than she is, have young twin daughters and an easy life until their marriage is shaken first by his admission of an affair with a research assistant and then by her diagnosis of breast cancer. When Al first hears of the cancer, he heroically returns home to look after Sharon and his children. Ironicly Sharon married Al only after his first marriage was destroyed by his affair with her. When her treatment finished, Sharon begins to write a serialized novel about Charles Dickens’s affair with the actress Nelly Ternan, which began when Nelly was 18 and Dickens a married 45-year-old father of nine. Taylor balances the two stories well, alternating chapters. It is based on historic fact.

THE PARCEL

ANOSH IRANI

“I am reviled and revered, deemed to have been blessed, and cursed, with sacred powers.” Madhu is a eunuch, a hijra, a third sex living in a community of hijras. Once she was the crown jewel of the brothel.  Her “arsehole,” she recalls, “was a cash crop.” Now at 40 she begs on the street. One day Madhu receives a call from Padma Madam, the most feared brothel owner in the district: a “parcel” has arrived – a young girl from Nepal, betrayed and trafficked by her aunt -“And the truth was a ten year old girl had been sold into slavery.” And Madhu must prepare her for her future of prostitution. Madhu took pride of opening the parcel gently much differently than the pimps would do, though the parcel was still kept in a cage.

“Born and bred to mortify,” Madhu is a breathtaking figure, admirable despite that fact that the “very things that made one human – love, hope, health – had been ripped from her calmly and precisely, the way a syringe extracted blood.”  The Parcel is not an easy read but it does grip you by the heart and squeeze.

 

ALL OUR WRONG TODAYS

ELAN MASTAI

Tom Barren lives in 2016, in a utopia. In 1965 a generator of clean of unlimited energy was invented. It generates energy based on the earth’s movement. The earth spins on its axis as it revolves around the sun, as it turns in the milky way galaxy, as it flies through the universe in the ever expanding universe. With all that energy the world created a reality that was predicted by futurists of the 50’s and 60’s: flying cars, robot maids, peace. Tom’s father is a genius who is building a time machine. His idea is to return to the past to witness origins of the generator that allowed such a utopia to be created. But when Tom goes back in time he disturbs the timeline to return to 2016 as we know it. How can he restore the world to the utopian future it could and should be?

What a great concept! Great speculative fiction. All the way through the book I thought this would make a great movie, then I read that the author was a screenwriter as well as a novelist.

BECOMING UNBECOMING

UNAurl

Una uses her own experiences with sexual assault and the background of the Yorkshire Ripper, in the 70’s to examine rape culture where women are made to feel guilty for being a victim. Through image and text Becoming, Unbecoming explores what it means to grow up in a culture where male violence goes unpunished and unquestioned. Una explores her experience, wonders if anything has really changed and challenges a global culture that demands that the victims of violence pay its cost. The police tried to justify the Ripper’s horrific crimes by publicly questioning why the women were out of their homes in the first place. Rather than following up on explicit physical descriptions and leads provided by one of the Ripper’s surviving victims, police instead chose to focus on gathering evidence that the murdered women were prostitutes or otherwise had “loose morals.”

This is a book all men and women should read.

THE ILLEGAL

arts_books1-1-72464fd7f6b3c94d                                                                                                         LAWRENCE HILL

THE ILLEGAL seems even more timely today, with the election of Trump and his executive order to start construction of the wall on the border of Mexico, than when it was first published. Illegal follows the story of Keita Ali and his family in the fictional country of Zantoroland. It’s populated by people whose ancestors, a century and a half ago, were the slaves whose labour built the third wealthiest economy on the planet, the nearby fictional country of Freedom State.  Keita Ali is running a marathon in Freedom State against a vicious opponent who is tormenting him with racial slurs. “Go Home N—–.” Keita is not just running a race, he’s on the run from the authorities who want to deport him. With his tormentor at his heels, the unflappable hero calmly ticks his pace up a notch and begins to sing as he surges up the hill: “Want to shatter your opponent’s confidence? Just when he starts to hurt, you sing.” Keita’s sister is captured by the Zantoroland’s military government and held for ransom so Keita must run and win every race so he can buy her freedom. Hill creates a trove of fascinating characters: a violent sports agent, a woman who runs a brothel and AfricTown (the black shantytown), a prime minister who is evil incarnate, and a schoolboy who films everything by hiding in various closets.

Hill is an excellent writer. The Illegal is not to be missed.

 

 

 

SUCH A LOVELY LITTLE WAR: Saigon 1961-63

MARCELINO TRUONG978-1-55152-647-8_suchalovelylittlewar-1

Both a memoir and a history, War is an informative window to what we call the Vietnam War; in Vietnam it is called the American War. Truong’s father was a Vietnamese diplomat in Washington, his mother a French woman with bipolar disease.During his early childhood in Washington, DC, the Truongs enjoyed a peaceful life in “a quiet middle-class suburb, something Norman Rockwell might imagine.” Truong describes this period as nothing short of idyllic: jazz on the car stereo, picnics by the water, white Christmases. When the father was called home, he became interpreter to Prime Minister Ngo Dinh Diem. His mother had not wanted to leave the US and was unsettled in her new home. In Saigon, the children live a sheltered existence, punctuated by the war. When the Americans escalate the conflict by sending more weapons and troops, the Truong boys become increasingly more enthralled by the grandiose machines of destruction. They are disturbed more by their mother’s emotional outbursts and irrationalities than the war in the background. We also have the unique perspective of his father who had extraordinary access to the inner workings of power thanks to his role as President Ngô Dinh Diêm’s interpreter.

DARLING DAYS

imgres-1iO TILLETT WRIGHT

At age 6, Wright declared: “My name is Ricky. And I’m not your daughter anymore. I’m your son.” Days is iO’s exploration of his tumultuous upbringing and struggles with identity and sexuality. Wright grew up in a chaotic downtown Manhattan apartment, a place that “stood out for the refinement of its violence, for its kaleidoscopic intensity.” What doesn’t kill you makes you stronger. “Sleep doesn’t happen much in the house, what with the plays and things late at night, plus Ma is in a real bad way. It’s like she has a night personality and a day personality.” As time passes her Mother’s mental illness worsens. The building they live in is crazy too. “Our building repels ‘normal’ people. They’d have to love cockroaches, scalding radiators and thin walls . . . they would have to establish their own niche in the zoo and defend it.”

Darling Days is one wild ride. “I don’t want to wear my tragedies on my skin, in my teeth, in my walk. I want something different than what I’m inheriting, but I’m going to have to make that happen for myself.”

PRAYERS FOR THE STOLEN

JENNIFER CLEMENT18007563

“My name is Ladydi Garcia Martinez,and I have brown skin, brown eyes and brown frizzy hair, and look like everyone else I know. As a child my mother used to dress me up as a boy and call me Boy. I told everyone a boy was born, she said. If I were a girl then I would be stolen. All the drug traffickers had to do was hear there was a pretty girl around and they’d sweep onto our lands in black Escalades and carry the girl off.” Stolen is the story of a young Mexican girl, Ladydi, who grows up in a rural mountain community in the Pacific state of Guerrero — “a land of red insects and women” — not far from Acapulco. Although named after Diana, Princess of Wales — the “saint for betrayed women” — Ladydi is called “Boy” by her mother, Rita. Turning girls into boys — or at least making them ugly — is a matter of survival on the mountain. Though not stolen Ladydi does get mixed up with the narcos.

Well written, Stolen is a powerful book. Violence against women in the drug wars in Mexico is a huge problem.

 

MISCHLING

AFFINITY KONAR28664920

Josef Mengele, the Auschwitz physician who not only sent countless men, women and children to the gas chambers, but also performed grotesque experiments on selected prisoners — especially twins, whom he eagerly sought out upon arrival. Konar makes the emotional lives of her two spirited, twin narrators piercingly real, as they recount, in alternating chapters, the story of their efforts to survive: Pearl, once the more outgoing of the sisters, becomes more methodical, more focused on memories to get through each day; while Stasha grows feistier and more cunning — “a creature capable of tricking her enemies and rescuing her loved ones.”

Once inseparable, the twins are broken in different ways by Mengele’s repulsive experiments, which damage Stasha’s hearing and sight; and leave Pearl in an isolated cage, her ankles snapped and her feet smashed.

Mischling is a dark book but light radiates in the girls’ strength and will to survive. It’s a great read.

Forgiveness “did not remove my pain or blunt my nightmares. It was not a new beginning. It was not, in the slightest, an end. My forgiveness was a constant repetition, an acknowledgment of the fact that I still lived; it was proof that their experiments, their numbers, their samples, was all for naught — I remained, a tribute to their underestimations of what a girl can endure. In my forgiveness, their failure to obliterate me was made clear.”

Mischling (“mixed-blood” in German) was the German legal term used in Nazi Germany to denote persons deemed to have both Aryan and Jewish ancestry.

THE WONDER

EMMA DONOGHUEimgres

Wonder like Donoghue’s previous novel, The Room, is about the lengths a person will go to protect a child. Lib, an English nurse, trained by Florence Nightingale, is hired to see if Irish girl, Anna O’Donnell, said to have gone four months without sustenance, is truly fasting. Anna, the 11-year-old daughter of a poor farmer in a desperately poor region, is surviving (her family claims) on a diet of water and prayer. Lib’s task is to watch over her to see whether she is telling the truth. She’s to report her findings to a committee of local people eager to refute criticisms that their community is perpetrating a backwater fraud. They want to believe that, in these years of privation and difficulty after the potato famine, they’re witnessing a genuine miracle.

In an author’s note, Ms. Donoghue explains that the novel was inspired by several dozen cases of the so-called Fasting Girls in Europe and North America, who claimed to go for long stretches of time with no food.

The ending is great! An excellent read.

OLEANDER GIRL

CHITRA BANERJEE DIVAKARUNIgirl

Girl tells the story of clashes of classes, ages and sexes. Korobi has been raised in a happy home, in Kolkata, by her grandparents because her mother died in childbirth and her father died in a tragic car accident. Her fiancée Rajat comes from a wealthy business family. But he is conflicted. Is he ready to leave his bad boy bachelor ways behind him and settle down to work and commit to one woman? When Korobi finds a love letter from her mother to her father that was never sent she sets out on a mission to find her father in America where her mother studied as a young woman. Will Rajat and his family still have her when they find out the truth about her father?

COUNTRY OF RED AZALEAS

DOMNICA azRADULESCA

Azaleas takes place during the Bosnian War (1992-1995), when Serbian soldiers practiced systematic genocide and raped an estimated 20,000 to 50,000 Bosnian women in “rape camps.” In spite of the violence, Lara and Marija — a Serb and a Bosnian, respectively — remain closer than sisters, even in the face of separation and tragedy. The two meet when both are schoolgirls in Belgrade and become inseprable. As college students, they spend hours in cafés discussing politics and philosophy. When war breaks out, Lara leaves for the United States with her new American husband, Mark, while Marija returns to Sarajevo to become a war reporter behind Bosnian lines. Mark tries to help Lara adapt to American life. Some of the most amusing parts of an otherwise unsettling novel are Lara’s attempts to understand concepts such as stay-at-home mom and take-out food. After having a baby, Lara begins a doctorate at the university and throws herself into her studies. At a conference in Paris, Lara meets a handsome, North African named Karim, with whom she has an affair, leading to a devastating divorce. When Marija surfaces in California, Lara races to join her, but finds her vastly changed. Still gorgeous, wild, and irreverent, Marija now has a glass eye and a reconstructed face. Furthermore, she suffers moments of deep dejection and fits of sobbing. Marija presses Lara to help her find her child born from violent rape.

“When I looked at her,” says Lara, “I saw the full horror of that day in July 1995 displayed glaringly on her face. The gushing of blood, the obscene panting, the muffled screams, flesh, organs, guns, screams begging for death, sighing for death, screaming the sharpest scream across the black earth. It all passed for one second on Marija’s face like an apocalyptic cloud. The next second it was gone.”

Despite some horrific scenes, Country of Red Azaleas is an uplifting and optimistic novel. The strength and determination of both protagonists, their love for one another, and their yearning to create a better future for themselves and their children surpass the traumas they have suffered.

 

UNDERGROUND AIRLINES

BEN H. WINTERSAirlines

In this alternate reality the US is not a superpower; in fact, most western nation have economic sanctions against the US because four of the 48 states still have slavery. Amendments have enshrined slavery in the constitution. Victor is a former slave. His tenuous freedom is granted to him by Mr. Bridge, a shadowy figure with the federal marshals, who has hired him to track escaped slaves for return to the south to their owners. An escaped slave was only truely free when he crossed the 49th parallel into Canada. Victor — who excels at his work and has captured more than 200 people — infiltrates an abolitionist movement called the Underground Airlines, and is forced to confront his own complicity.

Colour is most important to Victor as he describes the black characters we meet: “… all the kinds of faces the world calls black: brown and tan and yellow and orange, copper and bronze and gold.”

“What the slave wants but can never have is not only freedom from the chains but also from their memory.”

 

“Now I see things differently. It took me some time, but I know the secret now. Freedman Town serves a good purpose — not for the people who live there, Lord knows; people stuck there by poverty, by prejudice, by laws that keep them from moving or working. Freedman Town’s purpose is for the rest of the world. The world that sits, like Martha, with dark glasses on, staring from a distance, scared but safe. Create a pen like that, give people no choice but to live like animals, and then people get to point at them and say ‘Will you look at those animals? That’s what kind of people those people are.’ And that idea drifts up and out of Freedman Town like chimney smoke, black gets to mean poor and poor to mean dangerous and all the words get murked together and become one dark idea, a cloud of smoke, the smokestack fumes drifting like filthy air across the rest of the nation.”

Beautifully imagined and well written Underground Airlines will keep you thinking for al long time.

GUAPA

SALEEM HADDADguapa

“Guapa” encompasses a day in the life of Rasa, a young gay man in an unnamed Middle Eastern country during the turbulence of the Arab Spring. His path winds from his family’s upper-middle-class home, where his family is on the verge of discovering his secret relationship with another young man, to the city’s poverty-stricken suburbs, where the embers of revolution are catching fire, to the police stations where regime thugs brutalize and intimidate dissidents, to a lavish wedding in the city’s most exclusive hotel. Along the way, he is forced to reckon with the hidden forces that have driven both him and his country to a fever pitch of despair and frustration.

Told with simple elegance and wry humour, “Guapa” is both a universal story of the perils of adulthood and a deeply personal examination of culture and identity. Haddad writes like an Arab Tennessee Williams, fueled equally by rage and compassion as he explores the social, sexual and economic chasms that divide his characters from each other, and themselves.

ARKWRIGHT

ALLEN STEELEark

Nathan Arkwright is a wildly successful sci-fi writer: stories, novels, series, tv show, movies. At the end of his life, with some of his cronies set up a foundation dedicated to space exploration and space colonization. They did this by investing in tech companies that were working on technologies that would be useful in their field. Because this takes generations the book jumps, sometimes awkwardly, multiple years, multiple times. Eventually, the interstellar ship, the Galactique, launches with eggs and sperm and robots to raise them and teach them when they were born. But first terra forming had to be done on a planet that could support human life but was not ready. Genesis plants were seeded to create an oxygen rich atmosphere. The oceans and lands were seeded with plants and animals.

Arkwright is an easy read, feel good science fiction novel. I enjoyed it.

THE DESERTER’S TALE: The Story of an Ordinary Soldier Who Walked Away from the War in Iraq

JOSHUA KEY as told to LAWRENCE HILLdeserter's

Key thought joining the U.S. military was a way to escape the poverty of his youth and get a decent-paying, secure job, perhaps even an education, to support his growing family. In many ways, Key was an ideal recruit: he had a childhood fascination with guns, he was a bit of a fighter but still followed orders, and he was good with his hands. He even enjoyed boot camp where they were taught all Iraqis were terrorist, even the babies. In Iraq, Key took part in acts of cruel and vindictive violence. His squad’s nightly tasks become a routine of violence and the abuse of power: raiding civilian homes, brutalizing the inhabitants, destroying the contents, stealing the valuables and taking the men and boy five feet tall away, never to be seen again. Key does not know where these men, who were not arrested for any crime, were sent: perhaps to Abu Ghraib or Guantanamo Bay. joshua keyThey never found any terrorists, caches of weapons or weapons of mass destruction. Yet they were ordered to do the same thing night after night. At first there was no resistance. Then gradually resistance began to build. Key commented that if a foreign power landed in the US and terrorized the citizens the same way there would be hell to pay.

“We claimed to be bringing democracy and good order to the people of Iraq, but all we brought were hate and destruction. The only thing gave to the people of Iraq was a reason to despise us–for generations to come.”

When home for a two week break Key realized he could not return. He was already suffering from PTSD. Eventually, he made it to Canada where he applied for asylum.

“I will never apologize for deserting the American army. I deserted an injustice and leaving was the only right thing to do. I owe one apology and one apology only and that is to the people of Iraq.”

lawrence-hill_584During the 60’s and 70’s Canada’s door were open to anti-war protestors. I hope that will happen again with our recent change of government. Canada benefited from the creative and entrepreneurial spirit those immigrants brought. One name that comes to mind is the Canadian author Robert Munsch.

ALLIGATOR CANDY: A Memoir

DAVID KUSHNER720x405-kushner

Candy  is an intense, dark memoir. In October 1973, Jon, the author’s 11-year-old brother, rode his bike into the woods near his house in Tampa, Fla., and never returned. David, the author was 4. What happens to the family is truly the stuff of nightmares. This memoir is a loving and agonized examination of what Jonathan’s kidnapping and murder did to the family and what it and what subsequent child murders did to society. The family was shocked into silence. No one knew what to say or what to do. This was before there was counseling for children. David felt unable to ask questions. He felt over whelming grief, ” If only I ….”  It is silence that does the most damage, and in the weeks after his brother’s body was found and the two killers apprehended, the thing Kushner recalls most vividly is the closed doors in the house. “We were cast out of orbit, each of us drifting into our own time and space, occasionally feeling the gravity of one another’s pull.”

Disturbing but powerful, this is a must read.

Photo of Jon and little brother David.

Link to excerpt in Rolling Stone.

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