When India was divided into India and Pakistan, most of Kashmir went to India even though its population is mostly Muslim whereas India is mostly Hindu. Kashmir was occupied by the Indian army and became a hotspot for trouble between India and Pakistan. The Kashmiri want independence, their own country. Munnu grew up in this intense environment, never knowing when the government would raid the house, arrest his father or older brother and steal something valuable. His father was an artist who worked in wood block prints. As a child Munnu would help his father with his art. The illustrations in this graphic memoir look like wood block prints. The Kashmir are portrayed ashangul deer (the Kashmir stag) which are now endangered, since their habitat is being destroyed by the Indian army. Other people are portrayed as humans. At the age of 15, Munnu starts a career as a political cartoonist. Later a westerner introduces Sajad to the works of Joe Saacco, who has written many political graphic non-fiction books, and encourages Sajad to write one about Kashmir.
Sweetland is an ode to the dying Newfoundland way of small town or harbour life and the intrepid souls who lived there. In 2012, the government has offered the citizen of Sweetland $1oo,ooo each to resettle else where. The condition is all must comply. Moses Sweetland, is one of two holdouts refusing to take up the government’s seemingly generous offer. He is determined to stay, no matter the cost. His obstinacy prevents his friends and neighbours from collecting the government’s money, tearing apart the tight-knit community as a result. Sweetland is an old curmudgeon. The book’s cast of characters is delightful. The challenges to survival on the sea and on the coast are chilling.
“They never lost their way or seemed even momentarily uncertain of their location. They traveled narrow paths cut through tuckamore and bog or took shortcuts along the shoreline, chancing the unpredictable sea ice. Every hill and pond and stand of trees, every meadow and droke for miles was named and catalogued in their heads. At night they navigated by the moon and stars or by counting outcrops and valleys or by the smell of spruce and salt water and wood smoke. It seemed to Newman they had an additional sense lost to modern men for lack of use.”